Stage 2: When Rushing Costs You the Work

Stage 2: When Rushing Costs You the Work

This post is part of my ongoing apprenticeship in traditional goldsmithing through Jewellery Training Solutions, under master goldsmith Peter Keep. You can read the full bench journal and follow the project sequence on the Apprenticeship Journey page.

This week didn’t end with a finished piece. I was aiming to take one more step forward in the apprenticeship, but ended up taking two steps backwards.

I had two rings on the bench. The gyroscope ring, which is pushing me into more complex soldering and assembly, and a second version of the riveted ring—a piece I didn’t strictly need to make, but chose to revisit. It felt like a good balance at the start of the week: one project demanding precision and problem-solving, the other reinforcing skills through repetition. That balance didn’t hold.

Clockwise from top left: a rough but effective setup to hold two jump rings steady for soldering the gyroscope setting; the riveted ring components laid out before assembly; a taped mock-up to check alignment and fit before committing to rivets; and the split shank—two wires joined, then opened just enough to receive the gyroscope setting.

The gyroscope ring began well. The split shank came together cleanly—two solid wires, soldered together and neatly separated to receive the setting. I then fabricated the gyroscope assembly from three interlocking jump rings, intended to hold a pearl. The soldering, which I expected to be the main challenge, went smoothly. Everything flowed, everything held. It wasn’t until the very end, when I stepped back to assess the piece before attaching it to the shank, that I saw it—an ever so slight misalignment. Subtle. Likely invisible to anyone else. But not to me. I stopped. That setting is being remade.

Most of the week, though, went into the second riveted ring. It started strong. The work was controlled, deliberate, and everything was lining up the way it should. Then I made the mistake that defined the week—I rushed. I set a deadline in my head and tried to force the piece to meet it. The moment I sped up, the work fell apart.

The riveting went wrong. I drilled out the rivets. The holes opened up. I tried again. The layers shifted out of alignment. I drilled them out again. By that point, the holes were no longer clean or true, and the shank was effectively destroyed. The only parts worth keeping are the domes. Everything else will be melted down and made again from the beginning.

There was a moment at the bench when it became clear there was no salvaging it. No clever fix. No shortcut. Just the reality that the only way forward was to start over and pay for the mistake in time.

What’s frustrating is that nothing about the failure was technical. The rivets held. The design worked. The fabrication was sound. The breakdown came from rushing—trying to move faster than the work allows. The moment I rushed, I stopped being present with the work. It didn’t save time. It cost it. It didn’t relieve pressure. It created more of it.

The lesson isn’t new, but it’s been reinforced the hard way: this work only moves at one speed. You can either respect that, or you can fight it and lose more time in the end. Precision doesn’t survive pressure. Craft doesn’t respond to deadlines.

Next week, the focus shifts back to the gyroscope ring. That piece moves the apprenticeship forward, and it deserves full attention. The riveted ring will be rebuilt, but on its own time—properly, without forcing it.

For now, the shank goes back into the crucible. The metal will be melted, rolled out again, cut, drilled, and riveted—this time without rushing it.

Back to the bench. For the next chapter, check in here next week—and follow along on Instagram @pinedaandco.

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